摘要:二十世纪的美学在整体上显示出一种结构深度模式的学术趣味,杜夫海纳正是其中的突出代表,他从作为审美客体的审美对象和作为审美主体的人两个方面入手,详细讨论了审美深度问题,对现实的艺术批评和欣赏活动具有巨大的启发作用。Abstract: Aesthetics in the 20th century shows that the overall structure of a model of the depth of academic interest. Dufrenne is one of the outstanding representative. He from too..